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Anna Richards Brewster
Diogenes Campos Ayres
Don F. Palmerton
E. Galien Laloue
E. Leon Durand
Edward Carbonell Masabell
Edward Selmar Siebert
Geger Anatoly Mikhailovich
George Faulkner Wetherbee
Jose Maria Mijares
Juana Lumerman Roda
Leopoldo Romañach y Guillen
Luis de Texada
Mario Carreño Morales
Mary Mintz Koffler
Mishchenko Porfiri Matweevich
Paul Emile Leon Perboyre
Virgile Diaz de la Pena
Artist > Fernando Botero
Fernando Botero Angulo (born April 19, 1932) is a Colombian figurative artist. His works feature a figurative style, called by some "Boterismo", which gives them an unmistakable identity. Botero depicts women, men, daily life, historical events and characters, milestones of art, still-life, animals and the natural world in general, with exaggerated and disproportionate volumetry, accompanied by fine details of scathing criticism, irony, humor, and ingenuity.
Fernando Botero was born the second of three children in Medellin, Colombia. His dad died when he was four. An uncle took a major role in his life. Although isolated from art as presented in museums and other cultural institutes, Botero was influenced by the Baroque style of the colonial churches and then the rich life of the city.
In 1944, after Botero attended a Jesuit school, Botero's uncle sent him to a school for matadors for two years. Botero’s work was first exhibited in 1948, at the age of 16, was published in the Sunday supplement of the El Colombiano daily paper. He used the money he was paid to attend high school at the Liceo de Marinilla de Antioquia.
From 1949 to 1950, Botero worked as a set designer, before moving to Bogotá in 1951. His first one-man show was held at the Galería Leo Matiz in Bogotá, a few months after his arrival. In 1952, Botero travelled with a group of artists to Barcelona where he stayed briefly before moving on to Madrid where he studied at the Academia de San Fernando. In 1952, he traveled to Bogotá, where he had a solo exhibit at the Leo Matiz gallery.
In 1953, Botero moved to Paris, where he spent most of his time in the Louvre, studying the works there. He lived in Florence, Italy from 1953 to 1954, studying the works of Renaissance masters. In recent decades, he has lived most of the time in Paris, but spends one month a year in his native city of Medellín. He has had more than 50 exhibits in major cities worldwide, and his work commands selling prices in the millions of dollars. In 1958, he won the ninth edition of the Salon de Artistas Colombianos.
While his work includes still-lifes and landscapes, Botero has concentrated on situational portraiture. His paintings and sculptures are united by their proportionally exaggerated or "fat" figures, as he once referred to them. He explained his used of these “large people” as: “An artist is attracted to certain kinds of form without knowing why and adopt a position intuitively, only later do you attempt to realize or even justify it”.
In 2004 Botero exhibited a series of 27 drawings and 23 paintings dealing with the violence in Colombia from the drug cartels. He donated the works to the National Museum of Colombia, where they were first exhibited.
In 2005 Botero gained considerable attention for his Abu Ghraib series, which was exhibited first in Europe. He based the works on reports of United States forces' abuses of prisoners at Abu Graib prison during the Iraq War. Beginning with an idea he had on a plane journey, Botero produced more than 85 paintings and 100 drawings in exploring this concept and "painting out the poison. The series was exhibited at two United States locations in 2007, including Washington, DC. Botero said he would not sell any of the works, but would donate them to museums.
In 2006, Botero returned to the themes of his early life such as the family and maternity. In his "Une Famille" Botero represented the Colombian family, a subject often painted in the seventies and eighties. In his "Maternity", Botero repeated a composition he already painted in 2003, being able to evoke a sensuous velvety texture that lends it a special appeal and testifies for a personal involvement of the artist. Interestingly, the Child in the 2006 drawing has a wound in his right chest as if the Author wanted to identify him with Jesus Christ, thus giving it a religious meaning that was absent in the 2003 artwork.
In 2008 he exhibited the works of his The Circus collection, featuring 20 works in oil and watercolor. In a 2010 interview, Botero said that he was ready for other subjects: "After all this, I always return to the simplest things: still lifes
Botero married Gloria Zea. Together they had three children. In 1964 Botero began living with Cecilia Zambrano. They had a son Pedro, born in 1974, and separated in 1975. Pedro was killed in 1979 in a car accident, in which Botero was also injured. Last Botero married the Greek artist Sophia Vari. They reside in Paris and have a house in Pietrasanta, Italy.